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BOOKS: Spanish
Popular Cinema: From Luis Buñuel
to Pedro Almodóvar
(I.B. Tauris: 2006, forthcoming).
Popular Spanish Film Under Franco:
Comedy and the Weakening of the State
(Palgrave: 2005, in press).
Co-editor
(with Dr Parvati Nair) Gender and
Spanish Cinema. (Berg: 2004).
ARTICLES
& CHAPTERS:
Villar
del Río Revisited: The Chronotope
of Berlanga's ¡Bienvenido Mister
Marshall!', Bulletin of Hispanic
Studies, 81.1, 2004.
'Tracks,
Traces and Commonplaces: Fernando León
de Aranoa's Barrio (1998) and
the Layered Landscape of Everyday Life
in Contemporary Madrid, New Cinemas
1.3, 2003.
City, Costumbrismo and Stereotypes:
Populist Discourse and Popular Culture
in Edgar Neville's El crimen de la
Calle de Bordadores (1946)', Studies
in Hispanic Cinemas 1.1, 2004.
The
Pueblo Travestied in Fernán
Gómez's El extraño viaje
(1964)', Hispanic Research Journal,
4.2, June 2003.
'Enemies of the Patria: Fools,
Cranks and Tricksters in the Film Comedies
of Jerónimo Mihura,' Tesserae:
Journal of Iberian and Latin American
Studies 5.1, 1999.
Movement,
Monuments and Masculinities: The City
of Madrid in Almodóvar's Carne
trémula (1997)' Gender
and Spanish Cinema, ed. Steven Marsh
and Parvati Nair. Berg, 2004.
'Populism,
The National-Popular and the Politics
of Luis García Berlanga,' in Spanish
Popular Cinemas, ed. Antonio Lázaro
Rebollo and Andrew Willis. Manchester
University Press, 2004.
Entry
on Luis García Berlanga for the
“Great Directors” section
of the Australian on-line film journal,
Senses of Cinema, Issue 25, March/April
2003.
'Insinuating
Spaces: Memories of a Madrid Neighbourhood
during the Spanish Transition', in Political
Transition: Politics and Culture,
ed. Paul Gready. Pluto Press, 2003.
'Tácticas
y prácticas del subalterno en la
comedia cinematográfica española
de los años cuarenta,' in La
herida de las sombras: El cine español
de los años cuarenta, Cuadernos
de la Academia, 2001.
BOOK
REVIEWS:
Un
cinema herido
by J.L. Castro de Paz. Secuencias
No.17, 2003.
Spanish Cinema: The Auteurist Tradition
edited by Peter William Evans. Tesserae:
Journal of Iberian and Latin American
Studies, 6.2, 2000.
CONFERENCE
PAPERS AND LECTURES:
The
Haptic in Hindsight: Neighborhood Cinema-Going
in Post-War Spain'. Society of Cinema
and Media Studies conference, University
of London March 31- April 3, 2005.
'Tactics
and Thresholds in Edgar Neville's Life
on a Thread (1945)'. 7th Annual Comparative
Literature Conference, University of South
Carolina, February 9-12, 2005.
'The Surprise of the Everyday: Ghostly
Presences in Recent Spanish Documentary
Film'. Hispanic Cinemas: The Local and
the Global. Conference at the Institute
of Romance Studies, University of London.
November 28-29, 2003.
'La
ciudad de Madrid en Mujeres al borde
de un ataque de nervios de Pedro
Almodóvar'. Invited lecture at
New York University in Madrid. June 17,
2003.
'The Haunts of History: Cross-fertilization
and the Ethics of Place in Iciar Bollaín's
Flores de otro mundo'. Invited
lecture at New York University in Madrid.
March 25, 2003.
'Movement, Monuments and Masculinity:
The City of Madrid in Pedro Almodóvar's
Carne trémula': Invited
lecture at the School of Language and
Culture, Birkbeck College, University
of London. October 3, 2002.
Mapping Madrid Upon the Bruised Body of
Tony Leblanc': Conference of the Association
of Hispanists of Great Britain and Ireland.
University of Cork, Ireland. April 13,
2002.
'Villar del Río Revisited: The
Chronotope of Berlanga's ¡Bienvenido
Mister Marshall! (1952)': Invited
lecture at Emory University, Atlanta.
February 5, 2002.
The
Politics of Comedy in Post-War Spanish
Cinema': Conference of the Society of
Cinema Studies. Washington DC. May 24-27,
2001.
Populism, The National Popular and the
Politics of Luis García Berlanga':
50Years of Spanish Literature and Cinema
conference. Univ. of California, Irvine.
Feb. 22-24, 2001.
'Insinuating Spaces: Memories of a Madrid
Neighbourhood During the Spanish Transition':
Cultures of Political Transition: Memory,
Identity, Voice conference. School of
Advanced Studies, University of London.
September 14-16, 2000.
'An
Oral History of Cinema-Going in 1940s
and 1950s Spain,' Presentation of project
and round table discussion with Professors
Kathleen Vernon and Susan Martin-Márquez:
CINE-LIT conference, Portland, Oregon.
February 18-21, 2000.
Tácticas y prácticas del
subalterno en la comedia cinematográfica
española de los años cuarenta':
VIII Congreso de la Asociación
Española de Historiadores de Cine.
December16-19, 1999.
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