BOOKS:
Richard Wagner: Self-Promotion and the Making of a Brand. Cambridge: Cambridge University Press, (under contract; planned 2010).
Ed. Wagner's Meistersinger: Performance,
History, Representation. Rochester,
NY: University of Rochester Press, 2003. Paperback
edition 2004.
[essays
by: Peter Schneider, Harry Kupfer, Dietrich
Fischer-Dieskau, Lydia Goehr, Lutz Koepnick,
David Dennis, Peter Höyng, Klaus
van den Berg, Thomas Grey, Hans Vaget,
Eva Rieger]
Ed. Searching for Common Ground: Diskurse
zur deutschen Identität 1750-1871.
Cologne & Weimar: Böhlau, 2000.
[essays
by: Hans Peter Herrmann, Hinrich Seeba,
Bernd Fischer, Martin Kagel, Otto Johnston,
Jost Hermand, Ehrhard Bahr, Horst Lange,
Lynne Tatlock, Andreas Schumann, Conrad
Wiedemann, Peter Höyng, Jonathan
Skolnik, Lorie Vanchena, Mary Sue Morrow,
Hans R. Vaget, David Dennis]
Lukács Reads Goethe: From Aestheticism
to Stalinism. Columbia, SC:
Camden House, 1997.
ARTICLES & CHAPTERS:
“Beethoven Instrumentalized: Richard Wagner’s Self-Marketing & Media Image,” Music & Letters. 89.2 (May 2008): 195-211 Advance Access published on December 7, 2007. doi:10.1093/ml/gcm089.
“Selling
the Ring: Wagner’s ‘Enterprise’,”
Inside the Ring, Essays on
Wagner’s Opera Cycle, Ed. John
Louis DiGaetani (Jefferson, NC: McFarland,
2006): 51-68.
“Bluebeard’s Castle:
The Birth of Cinema from the Spirit of
Opera,” Hungarian Quarterly
46.178 (Summer 2005): 132-144.
"Marketing German Identity: Richard
Wagner's Enterprise," German
Studies Review 28.2 (May 2005): 327-346.
“The
Wagner Industry and the Politics of German
Culture,” The Intersections
of Politics and German Literature: A Festschrift
in Honor of Ehrhard Bahr. New
German Review 19: Special Issue (2003-2004):
103-116.
"Hegemony Through Harmony: German Identity,
Schiller, and the Ninth Symphony,"
Sound Matters: Essays on the Acoustics
of German Culture. Eds Nora M. Alter
& Lutz Koepnick, Oxford & New
York: Berghahn, 2004. 33-48.
“Die
Meistersinger: Performance, History,
Representation,” Wagner’s
Meistersinger: Performance, History,
Representation. Ed. Nicholas Vazsonyi.
Rochester, NY: University of Rochester
Press, 2003. 1-20.
"Goethe
in Moscow: Georg Lukács's 'Anti-Fascist'
Readings 1933-1945." Goethe im Exil
1933-1945: Deutsch-Amerikanische Perspektiven.
Eds Frank Baron & Gert Sautermeister.
Bielefeld: Aisthesis, 2002. 199-215.
"Bluebeard's Castle: Staging the
Screen - Screening the Stage," Arcadia
36.2 (2001): 344-362.
"Einleitung: Searching for Common Ground?"
Searching for Common Ground: Diskurse
zur deutschen Identität. Ed.
Nicholas Vazsonyi. Cologne & Weimar:
Böhlau, 2000. 1-20.
"Georg Lukács." Encyclopedia
of German Literature. 2 Vols. Ed.
Matthias Konzett. Chicago: Fitzroy Dearborn,
2000. 2:661-64.
"Richard Wagner." Encyclopedia of German
Literature. 2 Vols. Ed. Matthias Konzett.
Chicago: Fitzroy Dearborn, 2000. 2:968-71.
"Montesquieu, Friedrich Carl von Moser
and the 'National Spirit Debate' in Germany
(1765-1767)." German Studies Review
22.2 (1999): 225-246.
"Of Genius and Epiphany: Schlafes Bruder,
Das Parfum, and Babette's
Feast." Studies in 20th Century Literature
23.2 (1999): 331-351.
"Liszt, Goethe and the Faust Symphony."
Journal of the American Liszt Society
40 (1996): 1-23.
"A Wall of Silence?: The Case of Christa
Wolf." The Berlin Wall: Representations
and Perspectives. Eds. Ernst Schürer,
Manfred Keune, Philip Jenkins. New York:
Peter Lang, 1996. 181-90.
"Searching for 'The Order of Things':
Does Goethe's Faust, Part II Suffer
from the 'Fatal Conceit'?" Monatshefte
88.1 (1996): 83-94.
"Deflated Hybris--Uncertain Telos: The
Humbling of Faust and the Revival of Merlin."
Merlin versus Faust: Contending Archetypes
in Western Culture . Ed. Charlotte
Spivack. Lewiston: Edwin Mellen Press,
1992. 41-64.
"Schiller's Don Carlos: Historical
Drama or Dramatized History?" New
German Review 7 (1991): 26-41.
"Goethe's Wilhelm Meisters Lehrjahre:
A Question of Talent." The German
Quarterly 62.1 (1989): 39-47.
BOOK REVIEWS FOR:
Music & Letters
American
Historical Review
German
Quarterly
Colloquia Germanica
German Studies Review
Monatshefte
Das Achtzehnte Jahrhundert
The Eighteenth Century: A Current Bibliography
FILM/VIDEO CASSETTE SERIES:
Mozart, Beethoven, Schubert, Brahms. (1
hr. videocassettes). Produced by Telemusic,
Inc. MPI, 1989. |