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SCIENCE STUDIES EVENTS
ON NANO MOVIES
Davis Baird
Department of Philosophy and NanoCenter
University of South Carolina
October 4, 2005
Tuesday, 12:30pm-2:00pm
Sumwalt College, Room 102
Many years ago Daniel Dennett coined the phrase "intuition pump." Images of
the nanoscale are powerful intuition pumps for thinking about, intervening
on and responding to nanoscale technologies. I focus on moving images of
the nanoscale. Moving images have the potential to drive home one essential
point about the nanoscale that still images have difficulty capturing: The
world of the nanoscale -- at "normal" temperatures and pressures -- is a
world of intense activity, a "blooming buzzing confusion" in William James'
words. David Beveridge's simulation of the motion of DNA in an aqueous
environment
-- by contrast with Don Eigler's "IBM" -- make this point in a compelling
way. Intuitions about the dynamic aspects of the nanoscale go to the heart
of our understanding of "atomic precision" and "molecular manufacturing."
These intuitions are key players in how one assesses the Smalley-Drexler
dispute.
A more extensive inventory or movies of nanoscale objects, however, reveals
a more complex situation. Different kinds of nano movies work in different
ways to convey different messages, "pumping different intuitions." Two
other nano movies -- Jie Han et al.'s "carbon
nanotube gears"
and D. Srivastava et al.'s "carbon
nanotube compression study"
-- make the point. I present an initial typology of nano movies,
side-by-side with some of the rudiments of theory about moving images --
particularly digital "new media" moving images. My goal is to sketch the
outlines of a critique of moving images for representing the nanoscale.
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