|
Tan, Ye
1272
Rockwood Road, Columbia, SC 29209
Tel:803-777-6908 (w), 803-647-7165 (h)
Fax:803-777-0568 (w), 803-647-7165 (h).
E-mail: Ye@sc.edu
EDUCATION
Chinese Academy of
Traditional Opera, Beijing, Summer 1996, Instruction in Peking Opera
performance techniques
Chinese Academy of
Traditional Opera, Beijing, Summer 1994, Instruction in Kun Opera
performance techniques
Washington University, St.
Louis, 1985-1991
Ph.D. in Chinese and Comparative Theater, May 1991
M.A. in Chinese and Comparative Literature, May 1985
New York University, New
York, Summer 1987, Cinema Studies, American Cinema
The University of Toronto,
Toronto, 1982-1983, Western Theater and Teaching English as a Second Language
The University of Regina,
Regina, 1981-1982, Art History and Teaching English as a Second Language
Central Academy of Fine Arts,
Beijing, 1978-1980, Evening Courses in the Traditional Chinese Painting
Beijing Normal University,
Beijing, 1978-1980, B.A. in English
TEACHING EXPERIENCE
University of South Carolina,
Associate Professor:
Chinese Culture, Language, and Comparative Literature, Film, and
Drama
at both undergraduate and graduate levels, 1992-Present
Vassar College, Assistant
Professor:
Chinese Language, Literature, and Calligraphy, 1991-1992
Washington University,
Instructor:
Chinese, Comparative Literature, Theater and Calligraphy,
1983-1987
Marchquete Art School, St.
Louis, Instructor: Chinese art, Spring 1987
Fontbonne College, St. Louis,
Instructor: Chinese culture, Fall 1986
ADMINISTRATION & OTHER
PROFESSIONAL RESPONSIBILITIES
President of Calligraphy
Education Group in the US, Fall 2002-Fall 2004
Advisor, Chinese Theater
Workshop, New York, 1994-Present
Consultant for Dance
Beijing,
New York, 1995-Present
Co-writer and Translator for
Hu Xiaoding's feature film I Am Here (Laile), 2003
Assistant Director and
Translator for Wu Tianming's feature film CEO
(Shouxi zhixingguan), Spring 2001-Summer 2002
Academic Advisor for Chinese
Student Association at USC, 1993-Present
Coordinator of IMBAs Chinese
Track, USC, 1992-Present
Examiner of Chinese Language
and Culture for Fulbright Program, USC, 1994-Present
Advisor for Baccalaureate
Program at Honor College, USC, 1995-Present
Department Advisory Committee
Member, USC, 1999-2000
Career Advisory Committee,
College for Liberal Arts, USC, 1999-2001
Chair, Russian Search
Committee, USC, Fall 2000
Academic Consultant for Asian
Program at Midlands Technical College, Columbia, 1999-Present
Guest Instructor of Chinese
Art, Heathwood Hall School, Columbia, 1999-Present
Chinese Painting Instructor,
Chinese School of Columbia Academy, Columbia, 1999-2002
Associate Faculty Member of
the Colombia Film Society, 1997-Present
Honorary Member, Kun
Opera Society, Beijing, 1995-Present
Broad Member for Columbia
Chinese Academy, Columbia, 1999-2001
Academic Advisor for the
Columbia School of Chinese, 1994-Present
Senior Chinese-English
Translator, AT&T Language Line, 1987-2000
Columnist on Chinese Art and
Culture for Voice of
America,
Washington, 1999-2000
Editor of Today Literary
Magazine, New York, 1993-1995
Director of the Chinese
Program, Vassar College, 1991-1992
Art Director for TV
documentary series Chinese in the US, China and America, 1995-1996
Chinese-English Contract Translator, Continental Translation Co. New York,
1987-1992
Chinese-English Translator,
Human Rights in
China,
New York, 1990-1991
Editor, Sino-American Folk
Arts Association, New York, 1987-1989
PUBLICATIONS
(Additional Pen Names: Frank Ye, Man‑zi, He Man‑zi)
Scholarly Monograph and Textbook
Common Dramatic Codes in
Yuan and Elizabethan Theaters: Characterization in Western Chamber & Romeo and
Juliet.
Lewiston, New York: The
Edwin Mellen Press, 1997.
Practical Chinese
1995-present,. a
4-volume Mandarin textbook.[i]
Journal Articles, Book Chapters, and Published
Papers
"Hollywood and the Chinese
Other," Cineaction (Toronto): Issue 60, 2003
“Humanity in Wu Tianming’s
Films and TV Dramas,” Wenhui Daily (Shanghai): Summer 2000
“From 5th
Generation to 6th Generation,” Film Quarterly 53, No. 2, Fall
1999
“Voltaire and Orphelin de
la Chine,” Theater Arts (Shanghai): No. 1, 1999
“Films are about Feelings: An
Interview with Zhang Yimou,” Film Art (Beijing): No. 3, 1998
“The Relationship Among
Chinese Poetry, Calligraphy, and Art,”[ii]
Journal of Beijing Normal University,
No. 4, 1997
“Save Peking Opera, ”
China Times Weekly
(New York): October 31, 1993
“Chinese Director Explores
Symbolism, ” Gamecock (Columbia): December 4, 1992
“Chinese Movie Industry in
the 1980s, ” China
Times Weekly (New
York): April 21, 1990
“Abstract Expressionism in
Ying Hung’s Paintings, ” Artist Magazine (Hunan China): March 1990
“Zen Buddhism in Bada
Shanren’s Paintings” (revised), China Daily News (New York): December 28, 1987
“Tibetan Opera, ”
North America
(New York): March 24, 1987
“Controversy over Chinese
Modern Poetry, ”China
Daily News (New
York): March 12, 1987
“Zen Buddhism in Bada
Shanren’s Art, ”
North America (New
York): February 17, 1987
[i]
A textbook that has been used by students of Chinese language at USC since
1995. It was written in collaboration with Zhao Yongxin (Beijing Language
Institute), Meng Zong (Language Center at the State Department) and C.
Alber (USC) and it is still being revised.
[ii]
Selected in China University Periodicals Abstracts (Chinese National
Committee of Education, Beijing, 1997).
Reviews and Translations
CEO
(Shouxi zhixingguan, feature film, translation from Chinese to English), Summer 2002
“Review of Play All from
Beijing,
Chinese Culture ” (Beijing): January 12, 1998
“The Characterization in
Xixia Wang, ” (review) Art of Chinese Traditional Opera (Beijing):
No. 3, 1995
“Laura Mullen’s Poems”
(introduction & trans) Today Literary Magazine (New York): No. 3, 1993
“Review of Children of the
Dragon, ” China
Times Weekly (New
York): November 1990
Essays Commissioned by
Voice of America[i]
2001-2002
“Francoise Gilot”
“Art in Glass”
“Frida Kahlo”
“Foreign Characters in Wu
Tianming's Film CEO”
“Foreign Scenes in Wu
Tianming's Film CEO”
“Spring Hill Music Festival”
2000-2001
“Balthus’s Stories”
“Advent of the Digital Arts”
“Degas in Atlanta”
“Bill Gates and American
Arts”
“Nudity in the Postmodern
Era”
“Sikander without a Vail”
“Dilemma of Female Artists in
an Age of Globalization”
“Wang Jida, Chinese Sculptor
in New York”
“Jin Gao, Chinese Oil Painter
in New York”
“Ostenberg, from Banker to
Sculptor”
“Moroles, Granite Sculptor”
“Recent Arthur Miller
(Star-Spangled Stage) ”
1999-2000
“Flowers are not Flowers: the
Non-Identity in Chinese Art”
“The Void and Otherness: the
Association in Chinese Art ”
“Breeze on a River: the
Ethereality in Chinese Art”
“The Tear-Diluted Ink: A
Reading of Bada Shanren’s Paintings”
“The Death of a Sage: Wang
Guowei”
“Voltaire and the Chinese
Orphan”
“The Concept of the Moon in
East and West”
“The Episodic Phenomenon in
Chinese Art”
“Su Manshu: a Passionate
Monk”
“Life and Death in the East
Village, NY ”
“The Star-Spangled American
Stage”
“Broadway’s Ups and Downs--
(A) from the Beginning to the Depression”
“Broadway’s Ups and Downs--
(B) the Golden Age”
“Broadway’s Ups and Downs--
(C) from the Glorious to the Mediocre”
“Giant’s Garden—Eugene
O’Neill, (A) ”
“Giant’s Garden—Eugene
O’Neill, (B) ”
“Poetic Dramatist—Tennessee
Williams, (A) ”
“Poetic Dramatist—Tennessee
Williams, (B) ”
“Pioneer—Arthur Miller”
“Poetic Drama”
“Caged Birds Sing—Black
Theater”
“Second Sex and Second
Theater—Feminist Drama”
“M. Butterfly: A Paper
Lepidopter”
“Edward Albee: An Old
Modernist”
Since 1999, I have been
invited by Voice of America in Washington to write on Chinese and
American cultures. Each of my essays is broadcast at least twice, mostly on
Thursday. Responsible for my essays at VOA are Ming Zhang (Head of
China Branch, 202-42001-631982) and Jie Li (Senior Editor 202-619-1718).
OTHER WRITINGS
Plays and Television Scripts
Crossing,
Yunnan TV Station (New York, etc.), 1995-96[i]
Snowbound House,[ii]
Playwright (Harbin): No. 4 & No. 5, 1997
Butterfly Lovers,[iii]
Folk Dance Troupe for Young Chinese (New York): Fall 1989
“American Sinologists,
Sino-American Folk Arts Association ” (New York): 1987-88
“C. C. Yao, Chinese Painter
in New York, ” Sino-American Folk Arts Association (New York): 1987-88
“Tang Degang, Chinese
Historian at CCNY, ” Sino-American Folk Arts Association (New York):
1987-88
“Dong Dingshan, Chinese
Writer in New York, ” Sino-American Folk Arts Association (New York):
1987-88
“C. T. Hsia, Chinese
Professor, ”[iv]
Sino-American Folk Arts Association (New York): 1987-88
“The Costumes of Chinese
Minorities, ” Sino-American Folk Arts Association (New York): 1987-88
Prose Essays in Chinese
“Yingwu Zhou,” Today
Literary Magazine (New York): No. 1, 1994
“Save Peking Opera,”
Central Daily News (Taiwan): November 7, 1993
“Autumn Leaves,” Central
Daily News (Taiwan): December 31, 1991
“Qu Yuan’s Offspring, ”
China Times Weekly (New York):
December 9, 1989
“Political Cabbage in
Beijing, ” China
Times Weekly (New
York):
December 2, 1989
“To the Brave Students in
Beijing, ” China
Times Weekly (New
York): June 17, 1989
“Martyrs in Tiananmen Square,
”China Times Daily
(Taiwan): June 8, 1989
“Reverse Logic,
China Times Daily
(Taiwan): May 22, 1989
“The Chinese Students and the
Government, ” China
Daily News (New
York): May 10, 1989
“Beijing Logic, ”
China Times Weekly
(New York): May 1989
“In Memory of Grandpa (III),
” China Daily News
(New York): February 13, 1988
“In Memory of Grandpa (II), ”
China Daily News
(New York): June 4, 1987
“Loquat, ”
North America
(New York): March 12, 1987
“Autumn Trees and Chinese
Poetic Tradition, ”
China Daily News
(New York): December 10,
1986
“In Memory of Grandpa (I), ”
China Daily News
(New York): May 19, 1986
“Green, Green was the Road, ”
Central Daily (New York): April 7, 1986
Stories in Chinese
“Three Episodes after the
Party,”[v]
Central Daily News (Taiwan): April 6, 1993
“A White Fox” and “Returning
the Pearl,” Xiaoshuo jie (Shanghai): January 1993
“Daoist Humor, ”
North America
(New York): 1986
“Iron Cavalier, ” Central
Daily (New York): Fall 1986
“The Moon over the Great
Wall, ” North
America (New
York): November 20,
21, & 22, 1986
“Blue Leaves from the Moon, ”
Central Daily (New York): October 31, 1986
“Snow Flakes, ”
China Daily News
(New York): August 7, 1984
[i]
A 36-episode T.V. documentary about Chinese Americans made and commissioned
by Yunnan TV Station, China.
[ii]
To be directed by Cao Qijing at the Central Academy of Drama in Beijing.
[iii]
A revision of a classical Chinese play, staged in New York on October 7, 8,
11, & 15, 1989.
[iv]
The first six are documentary scripts commissioned by Sino-American Folk
Arts Association inNew York.
[v]
Collected in Famous Short Stories by Famous Overseas Writers
(Shanghai Literature Press, 1996).
Poems in Chinese
“Moon Watching,” Ming Pao
Daily News (New York): May 30, 1997
“Remote Wish,” Ming Pao
Daily News (New York): May 23, 1997
“Poems for Democratic
Movement in China, ”
China Daily News
(New York): July 1, 1989
“The Wind and the Trees, ”
China Daily News
(New York): July 1, 1987
“A Herdsman of Clouds, ”
Central Daily (New York): May 18, 1987
“Lambing Season in Inner
Mongolia, ” Central Daily (New York): May 2, 1987
“A Medieval Castle on the
Rhine, ” North
America (New
York): April 18, 1987
“A Lost Heart, ”China
Daily News (New
York): February 25, 1987
“One Leaf, ”
China Daily News
(New York): December 24, 1986
“Snow, 3 a.m., ”
China Daily News
(New York): December 6, 1986
“Mother, ”
China Daily News
(New York): Spring 1986
“All is Wrong, ” China
Daily News (New York): May 2, 1986
“It Could Have Been, ”
China Daily News
(New York): August 27, 1986
“Japanese Garden, ”
North America
(New York): August 12, 1986
“Petals, ” Central Daily
(New York): Spring 1986
“Mannikin‑pis, ”
North America
(New York): March 12, 1986
“Lac Leman, ”
North America
(New York): March 4, 1986
“Chinese Lute Player in
Paris, ” North
America (New
York): February 21, 1986
“Love in Alps, ”
North America
(New York): January 14, 1986
“A Monument to the Arctic
Circle, ” North
America (New
York): January 2, 1986
“Accordion Music in Venice, ”
North America
(New York): Winter
1985
“Green Valley in Austria, ”
North America
(New York):
December 21, 1985
“Flamenco Dance in Spain, ”
North America
(New York):
December 12, 1985
“Old Man and St. Paul’s
Cathedral, ” North
America (New
York): November 30, 1985
“Fallen Flowers, ”
China Daily News
(New York): November 16, 1985
“Fallen Leaves, ”
North America
(New York): October 31, 1985
“Give All This Back to Him”,
China Daily News
(New York): April 27, 1985
“To My Brother, ”
China Daily News
(New York): April 27, 1985
“Far Away from China, ”
China Daily News
(New York): March 1, 1985
“Pain Deep in the Sea, ”
China Daily News
(New York): November 20, 1984
“Autumn Sun, ”
China Daily News
(New York): November 17, 1984
“Your Eyes, ”
China Daily News
(New York): November 14, 1984
FORTHCOMING PUBLICATIONS
“Hollywood and the Chinese
Other,” to be published by Cineaction (Toronto): Spring 2003
“Culture and Theater, ” to be
collected in The Forum of 100 and published by Chinese Central TV
(Beijing): Summer 2003
Complexity of the Culture:
Chinese Cinema after Mao
PRESENTATIONS
“Culture and Theater,” Guest
Speaker, the Chinese Museum of Modern Literature,[i]
January 2, 2003
“Introduction to Asian
Dances, ” Program Master, Patriot Hall, Sumter, SC
[i]
As part of the Forum of 100 sponsored by the Chinese Central TV. So
far two Nobel winners have spoken at the forum.
October 19, 2002
“Old Well and Wu
Tianming,” Public Lecture, University of South Carolina, June 5, 2002
“Korea, History and Present,
” Chair of the Pre-departure Seminar for Fulbright Korea Project, Columbia,
April 20, 2002
“Chinese Calligraphy, ” Guest
Speaker and Demonstrator, Columbia Public Library, April 20, 2002
“Action Films: East and
West,” Guest Speaker, SC International Education Consortium,
Hickory Knob, March 22, 2002
“The Making of King of
Masks,” SC International Education Consortium, Hickory Knob, March 21, 2002
“History of Taiwan Cinema,”
Opening Speech, Taiwan Film Festival, Emory University, Atlanta,
March 19, 2002
“The Assimilation of Cruelty:
Negative Exchanges between East and West,” American Association for Asian
Studies, Chattanooga, January 18, 2002
“Documenting Chinese
Children,” Annual Conference, Overseas Chinese Scholars
Association, Tianjin, December 22, 2001
“Audience’s Psychology as
Theatrical Motive,” Guest Speaker, Chinese Academy of Classical Theater,
Beijing, December 18, 2001
“From Muscle Art to Marital
Art: The Evolution of Kongfu Films,” Invited Public Lecture, Center for Asian
Studies, USC, October 10, 2001
“Asian Folk Dances,” Program
Master, Sumter Opera House, Sumter, SC, September 22, 2001
“The Direction of River: Mis/Understanding
between East and West,” Guest Speaker, Wubai Lecture Hall, Beijing Normal
University, March 3, 2001
“The Conflicts of
Mentalities,” Guest Speaker, Beijing Normal University, January 29, 2001
“Grandma & Her Ghosts: Female
Directors in Taiwan,” Woodruff Art Center, Atlanta, January 20, 2001
“Action Films: East and
West,” Comparative Literature Colloquium, USC, November 18, 2000
“Chinese Wine and American
Bottle: Taiwan Cinema (II),” Guest Speaker, Emory University, November 15, 2000
“Realism and Reality: Taiwan
Cinema (I),” Emory University, Guest Speaker, November 14, 2000
“Chinese Landscape
Paintings,” Speaker and Demonstrator for Dragon Lecture Series,[i]
Department of Art, USC, April 10, 2000
“Chinese Theater in the 90s,”
Guest Speaker, Voice of
America,
Washington, March 6, 2000
“Chinese Landscape Painting,”
Heathwood Hall School, Columbia, January 27, 2000
“Chinese Calligraphy and
China,” Columbia Ceramics Society, Columbia, January 18, 2000
“Death of the Fifth
Generation of Chinese Cinema,” Association for Asian Studies Regional Meeting,
Duke University, Durham, January 16, 2000
“Poetry as the Common Code
for Chinese Art and Literature,” Guest Speaker, Haverford College, Haverford,
November 1, 1999
“History of Chinese
Civilization,” Hammond School, Columbia, October 1, 1999
“The Moral Immortality in
People of the
Yellow River,”
Guest Speaker, Chinese Association for Film Artists, Beijing, August 1, 1999
“Originality in Chinese
Musical,” Guest Speaker, Beijing Dance Academy, Beijing, July 2-10, 1999
“Music is Biological,” Guest
Speaker, Film and TV Forum, Beijing, June 13, 1999
“American Musical and the
Reform of Chinese Opera,” 3-week Course, Chinese Academy of Traditional Opera,
Beijing, June 5-30, 1999
“Hollywood and China,”
Georgia Political Science Association, Convention, Savannah February 20, 1999
“Festive Performances in
China,” Guest Speaker, Voice of
America,
Washington February 15, 1999
“Chinese Art and Philosophy,”
Guest Speaker, Heathwood Hall School, Columbia, January 26, 1999
“Romanization of Chinese
Characters,” Guest Speaker, Chinese School of Columbia Academy, Columbia, August
15, 1998
“From Theater to Film,” Guest
Speaker, College or Adult Education, Beijing, May 17, 1998
“Film Formats,” Chinese
Academy of Traditional Opera, Beijing, May 14 & 18, 1998
“Survey of American Theater,”
1-week Seminar, Jinan University, Guangzhou, May 1-6, 1998
“Poetics for Chinese
Calligraphy and Painting,” International Conference of East Asian Calligraphy,
University of Maryland, April 10, 1998
“Hollywood in China, Then and
Now,” Workshop on Looking at the World through Non-Western Eyes, Columbia, SC
April 4, 1998
“The Fundamental Transition
in Theater,” Guest Speaker, Diamond Art Salon, Beijing, January 7, 1998
“Language and Theatrical
Evolution,” Guest Speaker, Beijing Normal University, December 26, 1997
“Films of the Other Kind,”
1-week Seminar, Shanghai Theatre Academy, December 16-23, 1997
“The Transformation of Stage
Productions,” 1-week Seminar, Zhongshan University, Guangzhou, December 10-15,
1997
“Liberal Art Education,”
Guest Speaker, Voice of
America,
Washington, November 6, 1997
“Chinese Characters and
Poetry,” a Public Lecture, USC, October 24, 1997
“Cultural Differences in
Cinema,” 1-week Seminar, Shanghai Tiedao University, Shanghai, June 3-10, 1997
“Oriental Culture and Western
Characterization,” 1-week Seminar, Guangdong University of Foreign Studies,
Guangzhou, June 2-9, 1997
“Western Cinema from the
Chinese Perspective,” a 10-day Seminar, Beijing Foreign Studies University,
Beijing, May 19-30, 1997
“History of Peking Opera,”
Guest Speaker, Taipei Theater at Rockefeller Center, New York, May 13, 1997
“Fifth Generation of Chinese
Film,” Panel Discussant, New York Conference of Asian Studies, Oakdale, October
12, 1996
“The Intranslatability of
Chinese Poetry,” Guest Speaker, Beijing Language and Culture University,
Beijing, January 3, 1996
“Chinese Dramatic Theory,”
Midwest Conference on Asian Affairs, 44th Annual Meeting, St. Louis, October 15,
1995
“Chinese Theater Through
Theory, Literature, and Performance,” Panel Chair, Midwest Conference on Asian
Affairs, 44th Annual Meeting, St. Louis, October 15, 1995
“Revising Practical
Chinese Reader: A Joint Venture,” Panel Discussant, American Council on the
Teaching Foreign Languages, Atlanta, November 18, 1994
“Theatrical Translatability,
East and West,” Guest Speaker, Sichuan Association for Artists and Writers,
Chongqing, August 7, 1994
“The Foundation of Chinese
and Western Theater,” Guest Speaker, Chinese Academy of Traditional Opera, July
28, 1994
“Chinese Film in the West,”
Guest Speaker, Beijing Film Academy, June 24, 1994
“Zhou Xiaowen and His Film,
Ermo,” Guest Speaker, Chinese Film Artists Association, Beijing, June 13,
1994
“Decline of Chinese Film
Industry,” Guest Speaker, Sansan Chinese Culture Society, Los Angeles, May 14,
1994
“The De-feminization of Male
Lovers in the Chinese Theater,” Southeast Chinese Literature and Arts Circle,
Atlanta, November 17, 1993
“New Interpretation of
Traditional Chinese Art,” American Association for Chinese Studies, 35th Annual
Meeting, Columbia, October 17, 1993
“Chinese Theater in Modern
Days,” (panel chair and discussant) American Association for Chinese Studies,
35th Annual Meeting, Columbia, October 16, 1993
“Chinese Landscape Paintings”
for “Fundamentals of Art,” Guest Speaker, Department of Art, USC, Spring 1993
“Chinese Culture” for A
Cross-Cultural Counseling” Guest Speaker, College of Education, USC, Spring 1993
“Extratextuality in
Traditional Chinese Fiction,” Panel Discussant, American Association for Chinese
Studies, 34th Annual Meeting, Detroit, October 25, 1992
“Recent Developments in
Chinese Culture,” (panel discussant) American Association for Chinese Studies,
34th Annual Meeting, Detroit, October 23, 1992
“Raise the Red Lantern
and the Fifth Generation,” Guest Speaker, Columbia Film Society, October 12,
1992
“Peking Opera at Vassar, ”
Program Master, Vassar College, March 29, 1992
“The Fifth Generation of
Chinese Film,” Chinese Scholars Association on the East Coast, New York, June
28, 1991
[i]
To celebration the Golden Dragon year, I organized a series of 10 lectures
and more than 20 films and performances. For this I received a letter from
the Governor of SC, who proclaimed February 2000 as the Golden Dragon Month
of the state.
[1]
A textbook that has been used by students of Chinese language at USC since 1995.
It was written in collaboration with Zhao Yongxin (Beijing Language Institute),
Meng Zong (Language Center at the State Department) and C. Alber (USC) and it
is still being revised.
[1]
Selected in China University Periodicals Abstracts (Chinese National
Committee of Education, Beijing, 1997).
[1]
Since 1999, I have been invited by Voice of America in Washington to
write on Chinese and American cultures. Each of my essays is broadcast at least
twice, mostly on Thursday. Responsible for my essays at VOA are Ming
Zhang (Head of China Branch, 202-42001-631982) and Jie Li (Senior Editor
202-619-1718).
[1]
A 36-episode T.V. documentary about Chinese Americans made and commissioned by
Yunnan TV Station, China.
[1]
To be directed by Cao Qijing at the Central Academy of Drama in Beijing.
[1]
A revision of a classical Chinese play, staged in New York on October 7, 8, 11,
& 15, 1989.
[1]
The first six are documentary scripts commissioned by Sino-American Folk Arts
Association in New York.
[1]
Collected in Famous Short Stories by Famous Overseas Writers (Shanghai
Literature Press, 1996).
[1]
As part of the Forum of 100 sponsored by the Chinese Central TV. So far
two Nobel winners have spoken at the forum.
[1]
To celebration the Golden Dragon year, I organized a series of 10 lectures and
more than 20 films and performances. For this I received a letter from the
Governor of SC, who proclaimed February 2000 as the Golden Dragon Month of the
state.
|
