Serjeant Musgrave’s Dance: An Unhistorical
Parable. London: Methuen,
1960; New York: Grove Press, 1962.
The Long and the Short and the Tall, by Willis Hall; Live Like Pigs, by
Arden; The Dumb Waiter, by Harold Pinter. Harmondsworth: Penguin
[1961?]. New English Dramatists, no. 3.
The Business of Good Government: A Christmas
Play. London: Methuen, 1963;
New York: Grove Press, 1963.
Three Plays: The Waters of Babylon; Live Like
Pigs; Happy Haven.
Harmondsworth: Penguin, 1964; Baltimore: Penguin, 1965; New York: Grove Press,
1966.
The Workhouse Donkey: A Vulgar Melodrama. London: Methuen, 1964; New York: Grove
Press, 1964.
Armstrong’s Last Goodnight: An Exercise in
Diplomacy. London: Methuen,
1965; New York: Grove Press, 1967, Evergreen Playscript, no. 19.
Ars Longa, Vita Brevis, by Arden and Margaretta D’Arcy. London:
Cassell, 1965.
Ironhand, adapted from Goethe’s Goetz von Berlichingen. London:
Methuen, 1965.
Left-Handed Liberty: A Play about Magna
Carta. London: Methuen 1965;
London: Methuen/Mermaid Theatre, 1965, limited issue of 1,000 copies; New York:
Grove Press, 1966.
The Royal Pardon; or, The Soldier Who Became
an Actor, by Arden and
Margaretta D’Arcy. London: Methuen, 1967.
Soldier, Soldier and Other Plays. London: Methuen, 1967. Contains: Soldier,
Soldier: A Comic Song for Television; Wet Fish: A Professional Reminiscence for
Television; When Is a Door Not a Door?; Friday’s Hiding, by Arden and
Margaretta D’Arcy.
The Hero Rises Up: A Romantic Melodrama, by Arden and Margaretta D’Arcy. London:
Methuen, 1969.
Two Autobiographical Plays. London: Methuen, 1971. Contains: The True
History of Squire Jonathan and His Unfortunate Treasure; The Bagman.
The Island of the Mighty: A Play on a
Traditional British Theme in Three Parts, by Arden and Margaretta D’Arcy, illustrated by the authors.
London: Eyre Methuen, 1974.
Plays. London: Eyre Methuen, 1977; New York: Grove Press, 1978.
Republishes, with a preface by Arden, Serjeant Musgrave’s Dance; The
Workhouse Donkey; Armstrong’s Last Goodnight.
To Present the Pretence: Essays on the
Theatre and Its Public. London: Eyre Methuen, 1977. Contains two
essays written in collaboration with Margaretta D’Arcy.
The Non-Stop Connolly Show: A Dramatic Cycle
of Continuous Struggle, in Six Parts, by Arden and Margaretta D’Arcy. London: Pluto Press, 1977-78. 6
volumes in 5.
Pearl: A Play about a Play within a Play,
Written for Radio. London:
Eyre Methuen, 1979.
Vandaleur’s Folly: An Anglo-Irish Melodrama:
The Hazzard of Experiment in an Irish Co-operative, Ralahine, 1831, by Arden and Margaretta D’Arcy. London: Eyre
Methuen, 1981.
The Little Gray House in the West: An
Anglo-Irish Melodrama, by
Arden and Margaretta D’Arcy. London: Pluto Press, 1982.
Silence among the Weapons: Some Events at the
Time of the Failure of a Republic.
London: Methuen, 1982; as Vox Pop: Last Days of the Roman Republic, San
Diego: Harcourt Brace Jovanovich, 1982.
Awkward Corners: Essays, Papers, Fragments, selected, with commentaries, by the authors,
Arden and Margaretta D’Arcy. London: Methuen, 1988.
Books of Bale: A Fiction of History. London: Methuen, 1988.
Whose Is the Kingdom?, by Arden and Margaretta D’Arcy. London &
New York: Methuen, 1988.
Cogs Tyrannic: Four Stories. London: Methuen, 1991.
Plays One, with a preface and introductory notes by Arden. London:
Methuen, 1994. Contains: The Waters of Babylon; When Is a Door Not a Door?;
Live Like Pigs; Serjeant Musgrave’s Dance; The Happy Return.
Plays Two, with a preface and introductory notes by Arden. London:
Methuen, 1994. Contains: The Workhouse Donkey; Armstrong’s Last Goodnight;
Left-Handed Liberty; The True History of Squire Jonathan and His Unfortunate
Treasure; The Bagman.
Jack Juggler and the Emperor’s Whore: Seven
Tall Tales Linked Together for an Indecorous Toy Theatre. London: Methuen, 1995.
Bibliographies:
DLB
13.