DAVID HARE, 1947 –

Slag. London: Faber, 1971.

Lay By, by Hare, Howard Brenton, Brian Clark, Trevor Griffiths, Steven Poliakoff, Hugh Stoddart, and Snoo Wilson. London: Calder & Boyars, 1972.

The Great Exhibition. London: Faber & Faber, 1972.

Brassneck, by Hare and Howard Brenton. London: Eyre Methuen, 1974.

Knuckle. London: Faber & Faber, 1974; London & New York: French, 1974.

Fanshen: A Play, adapted from William Hinton’s Fanshen: A Documentary of Revolution in a Chinese Village. London: Faber & Faber, 1976; London & New York: French, 1976.

Teeth ‘n’ Smiles: A Play. London: Faber & Faber, 1976.

Licking Hitler: A Film for Television. London: Faber & Faber, 1978.

Plenty. London & Boston: Faber & Faber, 1978; New York & London: French, 1978.

Dreams of Leaving: A Film for Television. London: Faber & Faber, 1980.

A Map of the World. London: Faber & Faber, 1983; revised edition, 1983; New York: French, 1986.

Saigon: Year of the Cat: A Film for Television. London: Faber & Faber, 1983.

The History Plays: Knuckle, Licking Hitler, Plenty. London: Faber & Faber, 1984.

Pravda: A Fleet Street Comedy, by Hare and Howard Brenton. London: Methuen, 1985.

Wetherby: A Film, with photographs by Sophie Baker and Nobby Clark. London: Faber & Faber / Greenprint Films, 1985.

The Asian Plays: Fanshen, Saigon, A Map of the World. London: Faber & Faber, 1986.

Bay at Nice; Wrecked Eggs. London: Faber & Faber, 1986.

Paris by Night. London: Faber & Faber, 1988.

The Secret Rapture: A Play. London: Faber & Faber, 1988; New York: Grove Press, 1989.

Strapless. London: Faber & Faber, 1989.

Racing Demon. London: Faber & Faber, 1990; revised edition, 1991.

Heading Home; Wetherby; and Dreams of Leaving. London: Faber & Faber, 1991.

Murmering Judges. London: Faber & Faber, 1991; revised edition, 1993.

Writing Left-Handed. London: Faber & Faber, 1991.

The Early Plays. London: Faber & Faber, 1992. Contains: Slag, The Great Exhibition and Teeth ‘n’ Smiles.

The Absence of War. London: Faber & Faber, 1993.

Asking Around: Background to the David Hare Triology, edited by Lyn Haill. London: Faber & Faber / Royal National Theatre, 1993.

The Ruler of the Game, by Luigi Pirandello, in a new version by Hare. Bath: Absolute Classics, 1993.

Skylight. London: Faber & Faber, 1995.

Mother Courage and Her Children, by Bertolt Brecht, a version for the National Theatre by Hare. London: Methuen, 1995; New York: Arcade, 1996.

Plays One. London: Faber & Faber, 1996. Contains: Slag, Teeth ‘n’ Smiles, Knuckle, Licking Hitler and Plenty.

Amy’s View. London: Faber & Faber, 1997.

Ivanov: A Play in Four Acts, by Anton Chekhov, adapted by Hare. London: Methuen, 1997.

Plays Two. London: Faber & Faber, 1997; as The Secret Rapture and Other Plays, New York: Grove Press, 1997. Contains: Fanshen, A Map of the World, Saigon, The Bay at Nice, and The Secret Rapture.

The Blue Room; freely adapted from Arthur Schnitzler’s La Ronde. London: Faber & Faber, 1998; New York: Grove Press, 1998.

The Judas Kiss. London: Faber & Faber, 1998; New York: Grove Press, 1998.

Via Dolorosa, and When Shall We Live? London: Faber & Faber, 1998.

Acting Up: A Diary. London: Faber & Faber, 1999.

My Zinc Bed. London: Faber & Faber, 2000.

Platonov, by Anton Chekhov, adapted by Hare. London: Faber & Faber, 2001.

Bibliographies:

DLB 13.