Edward Gieskes
Associate Professor
Office: 401 Humanities Office Building
(803) 777-2242
gieskese@sc.edu
Education
Ph.D., Boston University, 1999
Specialization Areas
Recent Courses
See Course
Descriptions for detailed information.
- ENGL 712 Shakespeare’s Tragedies
Current Research Project(s)
Right now I'm working on a new project about genre and
generic change in late sixteenth and early seventeenth centuries. The
project's second object is an examination of the ways that retrospective
accounts of genre shape our critical imaginations of the period's
cultural production.
Publications
Representing the Professions: Administration, Law, and Theater in Early Modern England Representing the Professions. Newark: University of Delaware Press, 2006.
Representing the Professions: Administration, Law, and Theater in Early Modern England Representing the Professions unites literary criticism, social and legal history, and Pierre Bourdieu's sociology of culture. It offers a detailed exploration of the professionalism of selected early modern disciplines in an effort to characterize those disciplines in their social, economic, and historical contexts. http://www2.lib.udel.edu/udpress/repres.htm
Lauded Page and Learned Stage: Robert Greene as Pamphleteer and Professional
Playwright. Essay Collection co-edited with Kirk Melnikoff. Under
consideration for publication.
"Honesty and Vulgar Praise: The Poet’s War and the Literary
Field," forthcoming in Medieval and Renaissance Drama in England.
Review of Shakespeare and Theatrical Patronage in Early Modern England
(Paul Whitfield White and Suzanne Westfall, eds. Cambridge: Cambridge
University Press, 2002). Shakespeare Bulletin 21.4 (2003).
“Shakespeare and Montaigne: A Symposium by Jules Furthman.”
Editor. Dictionary of Literary Biography Yearbook 2002 (Detroit:
BCL Manly, 2003).
“’From Wronger and Wronged Have I Fee’: Thomas Middleton
and Early Modern Legal Culture.” In Thomas Middleton and Early
Modern Textual Culture, New York & London: Oxford University
Press (Clarendon), forthcoming 2003.
Review of Defending Literature in Early Modern England: Renaissance
Literary Theory in Social Context (Robert Matz. Cambridge: Cambridge
University Press, 2000) EMLS 8.3 (January 2003). http://www.shu.ac.uk/emls/08-3/gieskrev.htm
Review of Shakespeare After Theory (David Scott Kastan. New York: Routledge,
1999) EMLS 6.1 URL: http://www.shu.ac.uk/emls/06-1/gieskrev.htm.
"‘He is but a Bastard to the time’: Status and Service
in The Troublesome Raigne of John and Shakespeare’s King John,"
rpt. in Gale Yearbook of Shakespearean Criticism 1998. Detroit:
Gale, 1999.
"‘He is but a Bastard to the time’: Status and Service
in The Troublesome Raigne of John and Shakespeare’s King John,"
ELH 65.4(Winter 1998): 779-798.
Review of Court Masques: Jacobean And Caroline Entertainments 1605-1640
(Ed. by David Lindley. New York: Oxford University Press, 1995), Seventeenth
Century News 56:1-2(1998): 93-95.
"The Logic of Form In Adorno’s Aesthetic Thought: Towards
a Critical Theory of Art," Research and Society 4(1991):
1-26.
Presentations
“1603 and Jonson’s ‘dangerous age’.” Shakespeare
Association of America Annual Meeting, Victoria, British Columbia, 2003.
“‘A dangerous age’: Jonson, Beaumont and the Structures
of Theatre.” Renaissance Stagings. University of Georgia, Athens,
GA, 2003.
“History, Method, and ‘Material Shakespeare.’”
International Shakespeare Association World Congress, Valencia, Spain,
2001.
“’The Art of Revels Hath a Settled Place in the City’:
The Revels Office, Civic Pageantry, and the Development of the Professional
Theatre.” Shakespeare Association of America Annual Meeting, Miami,
FL, 2001.
“City Comedy and Social Anxiety.” Middleton Symposium, Georgia
Shakespeare Festival, Atlanta, GA, 2001.
"Theatre, Field, Metanarrative, and Robert Greene’s James
IV." Shakespeare Association of America Annual Meeting, Montreal,
Canada, 2000.
"Michaelmas Term, Social Conflict and the Law." Renaissance
Society of America, Florence, Italy, 2000.
"Bakhtin and Early Modern Dramaturgy." Shakespeare Association
of America Annual Meeting, San Francisco, 1999.
"Balancing Accounts." Group In Early Modern Cultural Studies,
Newport, RI, 1998.
"‘That will I see, lead and I’ll follow thee’:
Staging Professionalism in Greene’s James IV." Shakespeare
Association ofAmerica Annual Meeting, Cleveland, OH, 1998.
"‘That will I see, lead and I’ll follow thee’:
Staging Clowns and Multiple Genres in Robert Greene’s James IV."
Theatre in
Academe Conference, Washington and Lee University, Lexington, VA, 1997.
"Balancing Accounts: Professional Economies in Early Modern Culture."
Shakespeare Association of America Annual Meeting,
Washington, DC, 1997.
"City Comedy, Social Conflict, and the Place of the Law." International
Shakespeare Association World Congress, Los Angeles, CA, 1996.
"‘For he is but a Bastard to the time’: Status and Service
in The Troublesome Raigne of John King of England and Shakespeare’s
King John." Shakespeare Association of America Annual Meeting, Chicago,
IL, 1995.
"Honesty and Vulgar Praise: Poëtaster, Satiromastix and the
Literary Market." Shakespeare Association of America Annual Meeting,
Albuquerque, NM, 1994.
"‘No End Is Limited to Damned Souls’: Doctor Faustus
and the Dialectic of Enlightenment." International Marlowe Society
Conference, Cambridge, England, 1993.
"The Logic of Form in Adorno’s Aesthetic Thought: Towards
a Critical Theory of Art." Graduate Research in Marxism Conference,
Buffalo, NY, 1991.
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