PAGE 13
.
I CONFESS
 
I Confess (1953) is not one of Hitchcock's favorite movies. He felt the film lacked in humor and wondered whether it could be related to his Catholic upbringing...

The iconography of Catholicism is constantly present in Hitchcock's films. In I Confess, a story about a Catholic priest, played by Montgomery Clift, the symbolism does not need to hide.

 

In I Confess (1953), Otto Keller, a caretaker at a Catholic church in Quebec, confesses to Father Michael Logan that he has killed a man.

The police suspect Father Logan, who cannot reveal what he has been told in confession.
Father Logan is put on trial. Though acquitted,
suspicions about his guilt remain...
Eventually, Keller's wife Alma --for whom he stole and murdered-- points to the guilt of her husband...

... whereupon Keller shoots and kills her.

Father Logan is freed.

Click on the image for a clip on Youtube ().

Vertigo, The Birds, and I Confess are three movies that belong together inasmuch as they all create a new universe in which the boundaries between guilt and innocence are vague, shifting and ambiguous. Indeed, the ambiguity of guilt, the transference of guilt, the universality of guilt, and the painful cleansing ritual the liminal personae are involved with constitute the central themes of these films. The three films are quintessential Hitchcock. But, occasionally, Hitchcock's universe contains elements that are totally different.

Mathieu Deflem
DeflemM@yahoo.com
.
1. Preface 2. Introduction 3. Hitch's Case 4. Psycho 5. Doublure
6. Public Guilt 7. Private Guilt 8. Universal Guilt 9. Fear 10. Romance
11. Vertigo 12. The Birds 13. I Confess 14. Rear Window 15. Rope
16. War Films 17. Blackmail 18. Sabotage 19. Conclusion 20. Biblio
.This page is part of Hitchcockonline.org.