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BLACKMAIL
 
In Blackmail (1929), the first British talking picture, Hitchcock introduced important themes and styles that would re-appear in his later work. Together with The Lodger (1926), Blackmail is a foundational work for Hitchcock in respect of style as well as theme. 

A young woman is attacked by a man who tries to rape her. She defends herself and kills the man with a knife. A criminal witnessed the murder. Having kept the woman's glove found on the scene of the crime scene, he blackmail's her.

The woman's boyfriend, a Scotland Yard detective, is assigned to the case. 

 

Alice is a young woman who is displeased with her boyfriend's lack of attention for her and his preoccupation with his job at Scotland Yard. One night, she secretly meets with another man and goes to his apartment to see his paintings.
The man, however, tries to rape her. Alice defends herself and
kills her assailant with a bread knife.
When the body is discovered, Alice's boyfriend is assigned to the case and quickly determines that Alice is the killer. A man with a criminal record witnessed the killing and blackmails Alice. Eventually, it is the blackmailer who is thought to be the killer and he dies accidentally.

The young woman goes free. As the dead man's
painting of a laughing clown is carried away, she starts to laugh.


Mathieu Deflem
DeflemM@yahoo.com
.
1. Preface 2. Introduction 3. Hitch's Case 4. Psycho 5. Doublure
6. Public Guilt 7. Private Guilt 8. Universal Guilt 9. Fear 10. Romance
11. Vertigo 12. The Birds 13. I Confess 14. Rear Window 15. Rope
16. War Films 17. Blackmail 18. Sabotage 19. Conclusion 20. Biblio
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